Books: Doktor Sleepless

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Doktor Sleepless 
Vol 1: Engines of Desire 
Written by Warren Ellis 
Art by Ivan Rodriguez 
2008



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It is not particularly original to point out that Warren Ellis has a mode of writing that owes a lot to Hunter S. Thompson (or as some of you will know him: that guy that Johnny Depp played in Fear and Loathing In Vas Vegas and/or The Rum Diary - you know: the talky misanthropic American guy with the big sunglasses and long cigarette who liked to say things like: "I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me" - that guy): as styles go - it's pretty fun: there's lots of impassioned speeches that tend to rail majestically against the various and multiple injustices in the world coupled with a vitriolic disgust that spews out in all directions wrapped around a small stubborn - almost imperceptible - hope that the world could be a much much better place - if only we all tried a little harder. Oh: and not forgetting the swearing. Lots and lots and lots of swearing.

Rightly or wrongly - that's the public face of Warren Ellis that lots of people know (and love) and so you should know what I mean when I say that Doktor Sleepless is Warren Ellis at his most Warren Ellisy since Transmetropolitan and the heyday of Spider Jerusalem (and the crowd goes wild). With every character seemingly a black belt in conversational kung-fu and every speech bubble containing phrases that are probably even now gracing someone's T-Shirt:  “Who’s afraid of a cartoon mad scientist?” etc.

What's it about? Well like he says here: "In Europe in 2004, 13000 kids – persons under the age of fourteen -- died due to poor water. It’s 2007 and the society does not yet understand how to operate water." I won't try and improve on that. I'll just say that if you're looking for a book that's so in love with the science-fiction possibilities in the everyday that it has it's own wiki page (see link below) and successfully manages to balance with a story that bounces along into all sorts of strange places - not excluding one of the most despairing conceptions of the universe I've ever encountered then - well - the Doktor will see you now.

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Links: Doktor Sleepless Wiki, Undress Me Robot Review #1 & #2, Comic Book Resources Interview with Warren Ellis.

Further reading: Transmetropolitan, The Filth, Planetary, The Nightly News, Gravel, Gonzo: A Graphic Biography of Hunter S. Thompson.

Profiles: Warren Ellis.

All comments welcome.

Books: Neonomicon

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Neonomicon
Written by Alan Moore
Art by Jacen Burrows
2011




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I'm gonna start with an Alan Moore quote from a Wired Interview (link below) that sums up (in the best way) what to expect: "With Neonomicon, because I was in a very misanthropic state due to all the problems we had been having, I probably wasn’t at my most cheery. So Neonomicon is very black, and I’m only using “black” to describe it because there isn’t a darker color."

Consider that your due warning.

The history: In 1994 Alan Moore wrote a short little (but nasty) prose story called The Courtyard for an anthology The Starry Wisdom: A Tribute to H. P. Lovecraft: set in the year 2004 (which I mention so you don't get confused by the small little science-fiction touches) it took as many Lovecraftian elements and references as it could [1] - and mixed them into a dark cocktail of horror, evil and madness. In 2003 this story was then adapted in into a short 2-issue comic by Antony Johnston (who did the scripting) and Jacen Burrows (who did the art): both of which are very worth reading and both as scary as hell.

Then - in 2010 - following a series of disputes with DC Comics (which you can read in his own words: here) which provided the "misanthropic state" mentioned above and needing money to pay a tax bill (hey - at least you can't say he isn't forthcoming) Moore decided to write a sequel - only this time instead of writing it in prose he decided to team up with the Jacen Burrows (the artist of The Courtyard) and make it directly into a comic. And thus we have: Neonomicon.

For those of you that don't catch the H.P. Lovecraft reference in the title - I would recommend getting yourself acquainted with a book of his short stories before you delve into this comic: your experience will be all the richer for it - and if you don't know the difference between these guys or this thing then some important stuff is going to pass you by (not to mention a massively inappropriate joke in #3). A grounding in some Lovecraft is also important to make sure that you get what exactly Neonomicon is up to: namely telling a modern-day Lovecraftian tale that doesn't shy away from the more unpalatable racist elements and also seeks to uncensor things which have only been previously referred to as "blasphemous rituals." There's another element too (that kicks in around the halfway point) that attempts to debunk Lovecraft and the horror that lies beneath his stories. For anyone that's read Swamp Thing or Promethea (particularly Promethea) the message that comes across won't be much of a surprise - but it does have the effect of lessening the horrific elements in play. But that's the trouble with Alan Moore - he's way too restless to stick to telling a straight ahead horror story - when he can deconstruct it and then put the elements back together in fresh new ways (which is what happens in #4). And it's interesting how the horror lurches through the book from the visceral level all the way to something much more intellectual...

My best guess - based on past conversations with members of the Comic Forum and seeing the way that various people have reacted on the internet - is that this is going to be a fairly divisive book and one that is going to inspire a hell of a lot of extreme reactions. Just to be clear one final time: there is a lot in Neonomicon that is incredibly unpleasant - and indeed one of the few other books that it resembles is Garth Ennis' Crossed (also drawn by Jacen Burrows who it seems is dedicated to the horror genre like no other comic book artist I'm currently aware of).  

This collection contains both The Courtyard and Neonomicon. The Courtyard is worth reading here rather than in it's original form seeing how they've added colour - which adds a whole other grisly dimension.

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[1] See here for a full list.

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Links: Comics Comics Review #2, Mindless Ones Article: The Mashless Ones on Neonomicon #2, Alan Moore LiveJounal: Happy Neo Year: It's Neonomicon #2, Bleeding Cool: Rereading And Translating Neonomicon #3, Alan Moore LiveJournal: Neonomicon #3: Aagluh Luhng-Wujj, Multiversity Comics Review #4, Comic Book Grrrl Review, Dork Forty Review, A Lay of the Land Review, Mindless Ones Article: The Neonomicon ReReviewed via Swamp Thing, Comics Comics Comic-Book Club, Bleeding Cool: Neonomicon Vs Watchmensch, Imaginary Stories Article, Bleeding Cool Interview with Jacen Burrows, Wired Interview with Alan Moore, The Skinny Interview with Alan Moore, Alan Moore Acceptance Speech for the Bram Stoker Awards.

Further reading: Alan Moore's The Courtyard, Crossed, The Starry Wisdom: A Tribute to H.P. Lovecraft, Cradlegrave, Locke & Key, Swamp Thing, No Hero, From Hell, Promethea, League of Extraordinary Gentlemen: Century .

Profiles: Alan Moore.

All comments welcome.

Books: Fantastic Four: World's Greatest / The Masters of Doom

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Fantastic Four
World's Greatest
Written by Mark Millar
Art by Bryan Hitch
2009



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Fantastic Four
The Masters of Doom
Written by Mark Millar
Art by Bryan Hitch
2010



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In my head this forms the final part of an unofficial Mark Millar trilogy with Part 1 being Wolverine: Enemy of the State and Part 2 being his Spider-Man Down Among The Dead Men/Venomous/The Last Stand story arc. The common thread between them all is that - they all take on popular Marvel characters, they all take place inside mainstream Marvel continuity (which leaves out all the "Ultimate" stuff) and there's a strong argument to be made that each of them are the best, purest versions (as in: distilled to their essences - rather than buried under unnecessary add-ons - new costumes or powers or whatever) of their characters. And - basically - they're all just really really fun to read and enjoy. So... yeah.

And of the three - these two collections of Fantastic Four stories may be the best of the bunch. Taking in one multi-faceted story (that still has time for a Christmas special!) these books not only have the best artwork (long time collaborator Bryan Hitch who previously worked with Millar on the critically acclaimed The Ultimates) but also everything somehow feels as if it's been crystallised to perfection and it has that lovely reassuring feeling that only really tends to come when you're in the safe hands of someone who's spent many many years mastering their chosen form (a bit like watching a Woody Allen film - but with more time travel and parallel dimension fun).

It's worth noting that Millar has previously done stellar work with these character before in Ultimate Fantastic Four - and for a guy who seems most of his time making things as dark and horrible as possible (he sure likes his torture) it's just such a blessed relief to read something where it's all about the fun and sunshine instead of stormy pain clouds.

In a word: Outstanding. Check them out.

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Links: Too Busy Thinking About My Comics Review: The Very Moral Mr Mark Millar: The "Fantastic 4" & How The Richards Family Swallowed Up The Entire World With Compassion & Decency / Mark Millar & Bryan Hitch's "Fantastic Four" # 554: The Quietest Child Of A Rowdy Bunch Fails To Make Friends With All Of The Neighbours, Weekly Crisis Review of #554.

Further reading: The Ultimates, Wolverine: Enemy of the State, Spider-Man: Down Among The Dead Men / Venomous / The Last Stand, Ultimate Fantastic Four, Fantastic Four: 1234, Fantastic Four: First Family. 

Profiles: Mark Millar.

All comments welcome.

Books: The Fixer

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The Fixer
By Joe Sacco
2003





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From the one-man vanguard of "serious comics dealing with serious issues" Joe Sacco (the proponent of what Time magazine so delighfully calls: "comix-journalism"): The Fixer sticks you head first into the muddy realities and extreme happenings of the Bosnian War and all of it's many sticky aftermaths... The Louis Theroux/Jon Ronson of graphic novel reportage Joe Sacco tells of his own dealings with "The Fixer" a Bosnian resident called Neven who - for the right price - can help journalists get the inside scoop and exclusive assess that they crave. Think Del Boy - only even more unscrupulous.

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Links: Guardian Review, Time Review, PopMatters Review, Comic Critique Review.

Further reading: Palestine, Footnotes in Gaza.

All comments welcome.

Books: War Stories

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War Stories
Vol 1
Written by Garth Ennis
Art by Dave Gibbons, John Higgins, David Lloyd and Chris Weston
2004



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Even tho I'd count myself as a Garth Ennis fan I had no idea that this series existed until I was told about it at a Islington Comic Forum meeting (thanks Malcolm!). And what can I say now I've read it? Well - put simply: it's emotionally affecting and at points heart-wrenching to the point of torture with a sense of detail in the charaterisation and dialogue that makes it all feel utterly realistic. Put more simply: It's really, really good.

Written in the same no-frills, deadly serious style as his Battlefields series (of which this is obviously the fore-runner) War Stories is a series of tales set in various locations and different units (Allies and Axis) of the Second World War. With the top flight artistic talent dream-team of Chris Weston (The Filth), Dave Gibbons (Watchmen), and David Lloyd (V for Vendetta) each delivering knockout material. And with scripts that don't pussy-foot around and refuses to either pull it's punches or go dark just for the sake of it - but rather pulls off that careful balancing act between the two and is all the more better for it.

I don't wanna be too hyperbolic - but hell: Stunning stuff.

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Links: Grovel Review.

Further reading: Battlefields, The Shadow, 303, Alan's War: The Memories of G.I. Alan Cope, Last Day in Vietnam.

Profiles: Garth Ennis, Chris Weston. 

All comments welcome.

Books: A.B.C. Warriors: The Black Hole

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A.B.C. Warriors
The Black Hole
Written by Pat Mills
Art by Simon Bisley and SMS
2005



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Hell yes. Or maybe I should say (even better): "BIG JOBS!"

I was not expecting to enjoy The Black Hole. It was one of those books that I picked up to read more out of dutiful necessity for the Islington Comic Forum rather than something I expected to enjoy. And the first third of seemingly mindless robot destruction with an extra heaping muscles and guns (which kinda bordered on the fetishistic) and a story that begins halfway through and makes several reference to other books that I'm tempted to say that I haven't read (but the truth is rather that I had read them a long long time ago and can't quite remember - so the feeling of not really knowing what's going on is pretty much the same).

But then - I dunno - I was reading it with a feeling like I was just trudging through and then suddenly it all started clicking into place and the fun started kicking in - and instead of feeling bored (in that special kinda of way you only get from too much robot action - which is different to say watching paint dry or whatever) a smile started to creep across my face.

Starring the motley crew that is the A.B.C. Warriors (for those that don't know: it stands for 'Atomic' 'Bacterial' and 'Chemical' - and it's the type of warfare they're designed to take: so think Transformers - but without the Transforming and with more (a lot more) of a psychotic edge: crazy killer berserker robots basically - but "A.B.C. Warriors" sounds a little nicer) and taking in plenty of big ideas - this is a book designed for all sort of cheap thrills - even as it sneaks in a few grand philosophical ideas on it's underbelly. The artwork is by the legend that is Simon Bisley and SMS (???) can be very noisy at parts and Bisley (who I reckon was probably just starting out) is a little over the place in parts - but it is kinda cool how the black ink gushes everywhere slightly out of control and it all helps to add to the chaotic nature of the script.

Also - I would be remiss not to mention that it features "The Greatest Robot Ever Created" (who felt like he'd stepped out from the pages of a Douglas Adams book - which I'd say is high praise indeed).

Don't be taken unaware by the form - originally published in 2000AD in short little 5 or 6 page gos way back in the 1980s - it tends to shift it's style around a bit in order to keep the readers (teenage boys mainly) on their toes: but then that magpie sensibility that keeps it hopping from one idea to the idea is a big part of what makes it all so very thrilling...

Meknificent!

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Links: Are You A Serious Comic Book Reader? Powerful Panels: ABC Warriors, 2000AD Review Review.

Further reading: Sláine: The Horned God, The Adventures of Luther Arkwright.

All comments welcome.

Books: Ultimate Comics: Iron Man: Armor Wars

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Ultimate Comics: Iron Man
Armor Wars
Written by Warren Ellis
Art by Steve Kurth
2010



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Whizzz! Pow! Bang! Wooooo!

I don't know (don't care) if it's the right meaning of the phrase - but I hereby declare this book to be one of the best examples I know of "pure comics." Knowledge required of background stories = nill. It might start of recounting the events of Ultimatum but really it could be anything. All that's important is that Tony Stark is the most glorious jerk in the whole world and stuff exploding, things looking sleek and cool and every single line is a quotable nugget for you to hold close to your chest forever. I heard that this is somewhat based upon some Iron Man back in the 1980s - but I didn't get any of the references. I just soaked in the blissful escapism and all the little Ellis mind-bombs set up along the way. With comics this good - you don't need anything else. Sublime.

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Links: Comic Book Resources Review #1 / #2 / #4.

Further reading: The Ultimates, Ultimate Iron Man, Ultimate Comics: Avengers, Iron Man: Extremis, Iron Man: The Invincible Iron Man.

Profiles: Warren Ellis.

All comments welcome.

Books: The Chimpanzee Complex

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The Chimpanzee Complex
Vol 1: Paradox
Written by Richard Marazano
Art by Jean-Michel Ponzio
2009



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The Chimpanzee Complex
Vol 2: The Sons of Ares
Written by Richard Marazano
Art by Jean-Michel Ponzio
2010



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The Chimpanzee Complex
Vol 3: Civilisation
Written by Richard Marazano
Art by Jean-Michel Ponzio
2010



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"...Gentlemen! Pray that this "signal" won't turn out to be a ballistic missile launched by Saddam Hussein's grandson to screw up the free world!"

Oh dear. Dialogue like that (on the first page no less) tends to make me come out in hives. Yes - I know that it's a French book and so maybe that kind of clunker is more the fault of the translator than the original writer - but reading the finished product there's no way to know who's to blame. All I do know is that it sounds like it was written by someone still in sixth form (not good).

The Chimpanzee Complex is a three-part story detailing far out outer space adventures that is severely indebted to 2001: A Space Odyssey. Although instead of subtle suggestive philosophical science-fiction - it opts for strangeness seemingly for the sake of it and couples it onto familiar horror and action-movie style nonsense which leaves it more in the Event Horizon bracket: leaving me the feeling that stuff was happening not because it served some deeper point - but rather that the author thought it would seem cool and then couldn't be bothered to work out the details afterwards and just figured that things would take care of themselves.

On the plus side: the artwork is totally sumptuous and with such a fine amount of detail it feels like it must have taken years to complete in that way that European comics so often are. Which kinda makes it worth reading anyway... (sigh) If only the writing exhibited the same amount of care.

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Links: Forbidden Planet Blog Review of Vol 1 / Vol 2 / Vol 3, Down The Tubes Comics Review of Vol 1 / Vol 2 / Vol 3.

Further reading: Ministry of Space, Blacksad: Somewhere between the Shadows, Heart of Empire or the Legacy of Luther Arkwright, The Manara Library.

All comments welcome.

Books: The Batman/Judge Dredd Files

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The Batman/Judge Dredd Files
Written by Alan Grant, John Wagner
Art by Simon Bisley, Carl Critchlow, Glenn Fabry, Jim Murray, Jason Brashill
2004




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Mega City One's fiercest Law-Man meets Gotham City's Dark Protector! That's the level you need to pitch yourself at coming into this book - a collection of three individual stories: Judgement on Gotham, The Ultimate Riddle and Die Laughing (sadly neglected is Vendetta in Gotham - a story that is referred to in Die Laughing - yet has sadly not been included here - what gives?).

Of the two leads - I've always preferred Dredd over Bats (which is probably a Britsh thing) which I think leaves me a little disadvantaged: as good as Batman can be (Frank Miller and all that) - most of his stories tend to be cookie-cutter fighting the bad guys stuff and although Dredd has more than his fair-share of being a "hero" and saving the day action type cases - I've always enjoyed him more when he's just being a grumpy future policeman and butting heads and coming up against weird far-out future crimes and disturbed craziness. Or to put it another way: Batman is always the star of Batman and always the main attraction while Dredd (when he's done right) is always better when he's side-lined slightly and used as a window to take in all the amazing sights and sounds of the not too distant future... Thus: The Batman/Judge Dredd Files always leaves me a little bit disappointed and slightly unsatisfied as it's the action heroes taking on the bad guys flavor rather than subtle satire of whatever. Which is obviously how it should be (Batman's character is too big to really do anything else) - but it does mean that by-and-large Dredd is just an uptight lawman.

The best stories are Judgement on Gotham and Die Laughing (and in fact - you'd be bets of avoiding The Ultimate Riddle altogether - which is just boring and awful and half-baked) - and continuing what I said above - the best bits of those are the Dredd-related jokes ("Subdue him" and "You can't hit me like that" respectively) with the rest being generic race-against-time/stop the bad guys evil plan fluff. Saying that - it's always nice to have a little bit of The Mean Machine and Judge Death and the rest plus the fully painted artwork by Simon Bisley (probably the first comic book artist I ever knew by name) is worth checking out as is the Glen Fabry stuff in Die Laughing (although they switch artists halfway through - which I think is because Glen takes so long to paint stuff).

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Links: 2000AD Review Review.

Further reading: Judge Dredd: The Complete Case Files 05, Judge Dredd: The Complete Case Files 06, Judge Dredd: The Complete Case Files 07, Sláine: The Horned God, The Complete Future Shocks, Joker, Neil Gaiman's Neverwhere.

All comments welcome.

Events: Islington Comic Forum 2012/01

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The Islington Comic Forum is a monthly meeting for anyone interesting in graphic novels and comic books. 

The next Islington Comic Forum is on:
Tuesday the 31st of January / 6:00pm to 7:30pm.
Upstairs Hall at North Library Manor Gardens N7 6JX
Here is a map.

Meet and talk with other members. Hear recommendations. Tell us what you think. And a selection of over 100 hand-picked titles for you to borrow and take home.

The Book of the Month is:
DMZ Vol 10: Collective Punishment
By Brian Wood, Andrea Mutti and Nathan Fox
If you get a chance please read it. You can reserve yourself a copy here. (For those of you that don't get the chance - don't worry - you can still come and join in with the discussions).

You can find us on facebook here.
And join in with the discussions here.
For more information (or if you have any questions) you can email us here .
Come and join us. All welcome.
We hope to see you there.

All comments welcome.

Books: Ultimate Comics: Spider-Man: Death of Spider-Man

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Ultimate Comics: Spider-Man
Death of Spider-Man Prelude
Written by Brian Michael Bendis
Art by David LaFuente, Sara Picheli, Joёlle Jones, Jamie McKelvie, Skottie Young and Chris Samnee
2011


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Ultimate Comics: Spider-Man
Death of Spider-Man
Written by Brian Michael Bendis
Art by Mark Bagley, Andy Lanning and Andrew Hennessey
2011



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Every story has an end. Well... ok - unless it's a story in a comic book featuring a worldwide famous superhero type icon. In those cases: those stories never have an end and just go on and on and on and on and on - and death (when it comes) is just a pit-stop, just a diversion - until the eventual (and always) triumphant rebirth and return (if Jesus can do it - then why not Superman? Batman? Captain American? et al?). Such lessening ("deadening" even - ha) of the normally final and irrevocable nature of The Death of a Major Character is why I can understand the jaded reception that greeted the news that Brian Michael Bendis was going to kill off Spider-Man [1] with the feeling being that Point 1. It was something that was probably going to reversed in a little bit anyway and Point 2. It wasn't even the 'real' Spider-Man anyway - but his Ultimate Universe counterpart [2]. Now - the Ultimate Marvel line is something that I've previously mentioned here - so for those of you that haven't heard of it just read the wikipedia entry [3]. But the main point is that because it's separate from 'mainstream' Marvel continuity (the one that's been going since the sixties) and the point of it is supposingly to provide a fresh alternative to all that - it's really pretty plausible to believe that this might be a story where the dead are actually going to stay dead (oh my goodness). Or to put it another way - Point 2 is the reason why Point 1 doesn't apply. And - you know what? - that's a good thing.

So - hopefully having established that I'm pro-Superhero death - especially in this once-in-a-lifetime case where it threatens to be permanent: what's the story like? Well... before we get to that I should let you know that it's not a case where it's all self-contained - but rather comes at the tail-end of a good decade's worth of storytelling - and so if you want to start at the start (I would very much recommend it) you should begin with 22 Volume long Ultimate Spider-Man series [4]. Or (if you fancy taking a bit of a short-cut) then there's Ultimate Comics: Spider-Man [5] which come after Ultimate Spider-Man and immediately before the two books here - and in fact some places list these books as being Volume 3 and Volume 4 of Ultimate Comics: Spider-Man - but I guess that this is starting to get pretty confusing - so maybe I won't mention that [6].

Phew.

Now we're ready to move on to the books themselves: now - to be fair - and as you can probably tell from the weight of all the stuff above - my expectations were pretty high for The Death of Spider-Man. And (oh dear) they weren't quite meet by the story inside. The one word that I keep coming back to in my head is "arbitrary." In that things didn't feel like they happened all that naturally - and they didn't feel either epic enough either. Instead lots of the things that happened and lots of the characters actions seemed to take place because they needed to be in a certain place at a certain time. And lots of it (especially the start) seemed like an hollow retread of some of the epic highs from earlier in the saga (particularly the (what as for me) one of the stand-out stories of Ultimate Spider-Man - Vol. 9: Ultimate Six).

Yeah. Maybe I was expecting a little bit too much - but hell if you're going to kill a superhero - I kinda want massive operatics - and a slow enveloping tragedy. Not blunders and accidents and avoidable mistakes. You know: Something more Michael Bay and less - well - Woody Allen (no offense Woody).

If you want to see what all the fuss was about I should say that they're worth reading - and lots of the incidental stuff in the "prelude" - which generally acts as if it was Vol 3 and hints at lots of interesting futures - is full of good comic action and design. But the main event? Didn't hit the sweet spot that I hoped it would.

Dang.

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[1] Check the comments posted here ("How long until the inevitable resurrection then? Place bets NOW!")

[2] Although all this talk of 'real' Spider-Man stories brings to mind Alan Moore's Whatever Happened to the Man of Tomorrow's preamble: "This is an Imaginary Story… Aren’t they all?" (see: here for more).

[3] "The universe has been designated as Earth-1610 within the Marvel Multiverse, which comprises an infinite number of alternate universes."

[4] See: here (or you know just: click below)

[5] See: here (or you know just: click below)

[6] Also - in terms of tie-ins - to get the whole story of what happens how - you'll need to read Ultimate Comics: Avengers vs New Ultimates: Death of Spider-Man either before or after (which is completely your choice). See: here (or you know - well - just: click below)

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Links: 4th Letter Article: The Problem with Death of Spider-Man, Comic Book Resources Review of Ultimate Spider-Man #160, Multiversity Comics Review of Ultimate Spider-Man #160, Comic Book Resources Article, Now Read This! Review of Death of Spider-Man Prelude / Review of Death of Spider-Man.

Preceded by: Ultimate Spider-Man, Ultimate Comics: Spider-Man (2010 - 2011).

Followed by: Ultimate Comics: Spider-Man (2012).

Further reading: Ultimate Comics: Avengers vs New Ultimates: Death of Spider-Man, Ultimate Comics: Doomsday, Spider-Man: Down Among The Dead Men / Venomous / The Last Stand.

Profiles: Brian Michael Bendis.

All comments welcome.

Books: The Complete Future Shocks

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The Complete Future Shocks
Written by Alan Moore
Art by Steve Dillon, Bryan Talbot, Ian Gibson, Alan Davis, Dave Gibbons, Mike White, Paul Neary, Brendan McCarthy, John Higgins, Garry Leach, et al
2007



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Everyone has to start somewhere. And - for the now-legendary beardy Northampton weirdo (and I say that with the greatest respect) and comic book writer extraordinar Alan Moore - that start was writing short 2 to 6 self-contained science-fiction short stories (or for those that speak the lingo: "future shocks") for the mainstay British comic anthology favourite 2000AD. If you're expecting non-stop genius - then you're going to be a tad disappointed - as there's a fair few duds that don't quite hit the mark: but to be fair they were all written between 1980 and 1983 where comics were still treated by their creators and fans as mindless entertainment for teenage boys. For those willing to take the rough with the smooth - there's some golden nuggets contained within that manage (and I hope this isn't too much hyperbole) to find a sweet spot between the short stories of Jorge Luis Borges and Philip K Dick.

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Links: The Comics Journal Review, Flames Rising Review.

Further reading: DC Universe: The Stories of Alan Moore, Tom Strong, Global Frequency, The Ballad of Halo Jones, D.R. and Quinch, Skizz.

Profiles: Alan Moore, Bryan Talbot.

All comments welcome.